Что почитать: свежие записи из разных блогов

Victory_Day, сообщество «CAFE of DREAMS»

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25 октября 2021 (21:24:31) 10

Название: Мой хулиганистый бэби
Перевод, тайп: Victory_Day
Клин: Squalo69
Оригинал: GJNOEL (ginjyo) / Baby, Punk Kid
Язык оригинала: корейский, перевод с английского
Форма: манхва
Пейринг/Персонажи: Сочжин/Харим
Категория: слэш
Жанр: драма, юмор, романс, омегаверс
Рейтинг: R-18
Количество глав: 0_пролог, 1 - 3

Саммари: В поисках денег на лекарства, предотвращающие течку, омега Харим нападает на незнакомца, который оказывается не только альфой, но и большим боссом в крупной корпорации. Предполагая, что Харим — подосланный наемный убийца, альфа все-таки покупает ему таблетки и предупреждает, чтобы тот держался подальше и не доставлял проблем. Однако Харим по глупости крадет его бумажник и тут же попадается, после чего вынужден стать горничной в доме альфы.

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CAFE of DREAMS, сообщество «CAFE of DREAMS»

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25 мая 2021 (23:48:10) 9

18+квадратная

Название: Оставь свои метки на моей спине
Перевод: Natylie
Клин: Mara_Karch
Тайп, бета, сканы: Victory_Day
Оригинал: Nishimoto Rou / Konosenaka ni Tsume wo Tatete
Язык оригинала: японский
Форма: манга
Пейринг/Персонажи: Сато Аюму/Бандо Ёшитака
Категория: слэш
Жанр: повседневность
Рейтинг: R-18
Главы: 1

Саммари: Аюму Сато - студент, подрабатывающий барменом в баре "Кризис". Он ненавидит теряющих лицо взрослых и не хочет в будущем стать таким же. Однажды в его смену в бар приходит Ёшитака Бандо, давний знакомый владельца бара. Соблазнённый с первого взгляда Аюму хочет знать больше о новом посетителе, а интригующее предложение Ёшитаки ещё больше подогревает его интерес.

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Ящик для письменных принадлежностей, блог «Выживут только фандомники»

SNK 102

7 февраля 2018 (21:27:32) 369

Титаны так долго не радовали, что эта глава просто сияет. Вернули пока не всех, но кого волнуют Ханджи с Армином, когда тут такое

Да, детки, папочка вернулся! ~~и уже увидел обезьяну своей мечты, но об этом позже~~
Про остальных

Таймскип пошел некоторым на пользу, например Саша стала просто смертоносна! heart

Я бы очень хотела посмотреть на Хисторию в этой рисовке, должно выйти красиво.

Исаяма наконец расставил большинство фигурок и начал веселое семейно-титанье застолье. Я думаю, что в итоге должен остаться только один, но непонятно кто именно: Эрен Армина есть не станет, а Армина пока не показали, но ему тоже понадобится мотивация посерьезнее мертвых детишек (я НАДЕЮСЬ на это, нельзя все конфликты оправдывать мертвыми детишками, постыдились бы).
Пока Эрен эффектно разносил толпу гражданских и пытался слопать титана с молотом, диверсионные отряды технично отрезали пути для подхода подкрепления. Жан, к которому время оказалось беспощадно, вроде как руководит, но не очень авторитетен среди подчиненных. Особенно среди Флока, который набирает в моем сердце все новые очки (подержался за умирающего Эрвина - получил +100 к практичности). Все-таки в разведке должен быть глас разума, который будет на "Тамжи гражданские" отрубать "Але, это враги, после войны покаешься". Люблю Флока в общем, хороший мальчик. Интересно, чем все это время занимаются Армин и Ханнджи, особенно Армин. Во что он эволюционировал за это время под грузом ответственности и выжидающим взглядом капитана? Саша

Увы, Эрен до конца главы так никого и не сожрал, а подтянувшиеся титаны противника сейчас будут контратаковать, но я надеюсь, что никого нужного в ближайшее время не убьют. Особенно Сашу, Сашу и Ривая не трогайте!
Ну серьезно, они так хороши, что у меня даже фантомные боли от смерти Эрвина уменьшились. Потому что всегда носи с собой запасное ОТП, вот почему! Только посмотрите на них: она такая повзрослевшая, он так хорошо сохранился для своих "хорошо за тридцать"... Вот расправится с Зиком и как начнет новую жизнь, ну или хотя бы в аушках разглядит свое гетное счастье

Да, канон конечно не про это и вряд ли они оба дотянут до финала живыми и неженатыми, но прямо сейчас очень хочется помечтать

Ящик для письменных принадлежностей, блог «Выживут только фандомники»

BSD 60

1 февраля 2018 (23:35:15) 648

Сюжет не читай, сразу переходи к новой фракции!
Кстати, как она называется? Этот волк Мибу на заднем плане подозрительно пытается передать привет Фукузаве, не?) Ну да ладно, расскажут.
Подвезли свежих японцев, алилуйя! Нырнем же в матчасть!

ПодробностиFukuchi Ouchi (он тут главный) Born: 1841/3/23, Nagasaki
Died: 1906/1/4, Tokyo
Other Names: 福地桜痴 (Fukuchi Ouchi), 八十吉 (Yasokichi), 吾曹 (Gosou)
Japanese: 福地源一郎 (Fukuchi Gen'ichirou)
Fukuchi Gen'ichirô was a journalist, writer, and statesman of the Meiji period.
http://wiki.samurai-archives.com/index.php?title=Fukuchi_Genichiro
Originally from Nagasaki, he was the son of a physician, Fukuchi Gensuke, and his wife Matsuko.
He studied Rangaku and the Dutch language from a young age, and journeyed to Edo at the age of 18 in 1858 to learn English; there, he worked as a translator and interpreter for the shogunate, and traveled to Europe twice with official shogunate delegations, in 1861 and 1865; shortly after (or even before?) the Meiji Restoration, he founded a newspaper called the Kôko shimbun (江湖新聞), in which he criticized the Sat-Chô government and defended the shogunate. Though arrested for this, thanks to the efforts of Kido Takayoshi he was acquitted, and began working for the Ministry of Finance (Ôkurashô) as soon as two years later, taking part in both the Iwakura Mission and a visit by Itô Hirobumi to the US.
From 1874-1888, he was chief editor and president of the Tokyo Nichinichi Shinbun, reporting оn a wide variety of stories, including the Satsuma Rebellion, often under the penname Gosô (吾曹). In his writings, he rejected radical stances, supporting a more realist view, and more gradual, "slow and steady" policies. Though generally quite supportive of the government, and indeed marketing the paper as an official publication supported by or authorized by the Dajôkan, he was also at times quite critical of the state. оne such occasion was in his criticism of an incident or scandal related to the disposal of government-owned land by the Hokkaido Development Commission in 1881.
Fukuchi also worked as a politician, elected to the Tokyo prefectural legislature in 1878, and named its head the following year. In 1882, he formed a new political party along with a number of his fellows, but it was not officially recognized. The following year, the government began printing its own gazette, and the no longer officially sponsored Tokyo Nichinichi Shinbun began to have financial problems; Fukuchi stepped down as editor-in-chief the following year, and retired from the newspaper in 1888.
In later years, he turned to writing kabuki plays and fiction, and supporting the development of modern theatre, as well as playing a role in the 1889 construction of Kabuki-za. Having strong connections with Ichikawa Danjûrô IX, he wrote a number of plays, including оne entitled "Kasuga no Tsubone." He was elected to the Diet in 1904, but died two years later.
His ability name is something along the line of “Mirror Lion” (it has something to do with Kabuki)

Jouno Saigiku (справа)Саигику Дзёно, урожденный Jono Denpei 條野伝平, Sansantei Arindo 山々亭有人 (pen name), Saigiku 採菊 (pen name) (1832/9/24 — 1902/1/24) Theatrical writer of the Meiji era. Japanese novelist, politician and journalist. He was a gesaku writer and оne of the founders of Tokyo nichinichi shimbun and founder of Tamato shimbun (two newspapers). Gesaku is a school of Japanese literature that is basically playful, mocking, joking, silly, or frivolous. Born in Edo in 1832, by his late teens he had decided to become a writer of gesaku stories. He published his first story in 1860, and during the 1860s first Yoshiiku, then Yoshitoshi, were doing illustrations for some of his books.
Писал вот такое: http://www.myjapanesehanga.com/home/artists/utagawa-yoshiiku-1833-1904/bandit-robbing-a-rickshaw
Jono, a literary friend of Fukuchi Gen'ichiro, was behind the start-ups of several papers, beginning with Fukuchi's Koko Shinbun in 1868. He teamed up with Yoshiiku and others to launch the Tokyo nichinichi shinbun in 1872, and in 1874 he again teamed with Yoshiiku to produce the news nishikie that flew Tonichi's banner. He went оn to launch the Keisatsu Shinbun [Police News] and the Yamato shinbun [Yamato News] in 1884 and 1886.
Yoshitoshi did some of the illustrations for Yamato shinbun, and Jono also put his Kanda-born son Ken'ichi to work as an illustrator. Through Yoshitoshi's influence, Ken'ichi went оn to become the Nihonga drawer Kaburaki Kiyokata (1878-1972). It was, as the saying goes, a small world.
Jono continued to write fiction until his death in 1902.
Jouno seems to have super sense who can sense anything in this world(?). His ability is called “Senju’s tears”.
А сын его с Кекой зажигал)
Kiyokata KABURAKI Biography
1878 Japanese painter Kiyokata KABURAKI was born in Tokyo. His father, Jono Saigiku was оne of the founders of Tokyo Nichi-nichi Shinbun (presently Mainichi Shinbun) and was a brilliant man of letters as well as popular novelist and drama critic. Kiyokata was influenced by his father and grew up in a literary atmosphere.
1891 Through the recommendation of his father and San-yu-tei Encho, he became a disciple of Mizuno Toshikata, a ukiyoe artist of the Utagawa school and illustrator, in order to become an illustrator.
1893 Given the pseudonym “Kiyokata” by his mentor Mizuno Toshikata.
1894 Took charge of drawing illustrations for “Yamato Shinbun” of which his father was president.
1897 Drew illustrations for “Tohoku Shinbun”, and became independent.
1901 Organized the group “Ugo-kai”. Asked to draw the frontispiece and binding for “Sannmai tsuzuki”(A series of three works) written by Izumi Kyoka, he formed a close friendship with Izumi Kyoka. He became more interested in Japanese style painting, and began to produce many fine works inspired by the literary works.
1903 Began to draw frontispieces for the magazine “Bungei Club” which led the literary world, and became established as an illustrator.
1915 A group called “Kyodo-kai” was established by Kiyokata’s apprentices; Ito Shinsui and Terashima Shimei. At the 9th Bun-ten exhibition(organized by the Ministry of Education), his painting “A Shower Passing By” won the best prize.
1916 “Kinreisha” was organized by Kiyokata together with Hirafuku Hyakusui, Matsuoka Eikyu, Yuki Somei, and Kikkawa Reika.
1919 Served as a judge for the 1st Teiten (the exhibition organized by the Imperial Academy of Fine Arts)
1927 Submitted “Tsukiji-Akashicho”at the 8th Teiten exhibition. Received a prize from the Imperial Academy of Fine Arts. He had established himself as a key figure in the field both in name and reality.
1930 “The Portrait of San-yu-tei Encho” was exhibited in the 11th teiten. This work was designated as a national important cultural property in 2003.
1937 The Imperial Arts Academy was established and Kiyokata became a member of this academy.
1944 Appointed as a Court artist.
1946 Appointed as a judge at the 1st Japan Arts Exhibition (Nitten). Moved to Zaimokuza, Kamakura from Gotennba where he had been evacuated from Ushigome-Yaraicho, Tokyo, because his house had been burned down during World War Ⅱ.
1954 Given the Order of Culture. Moved to Yukinoshita, Kamakura.
1972 Passed away in Yukinoshita оn Mar. 2, at 93.
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Techo Suehiro (слева) Suehiro Tetcho 末広鉄腸 (1849/3/15 - 1896/2/5), given name Yujiro, was a politician, novelist, journalist, and proponent of the Freedom and People’s Rights Movement. Born of samurai lineage in what is now Ehime Prefecture, he graduated from the local samurai school and became a teacher in 1869. Thereafter, he moved to Tokyo and worked for the Ministry of Finance for six years before going into the newspaper business. He was imprisoned twice for challenging the existing free press laws and was instrumental in forming the first national political party (and was forced by the Japanese government to leave the country). He wrote a political, proto-science fiction novel Setchubai (Plum Blossoms in the Snow, 1886), and in 1890 he was elected in the first national election, but was later ousted because he left the Liberal Party. Suehiro died in 1896 of tongue cancer and is buried in Ehime.He also met Jose Rizal in 1888 (филлипинский автор, борец за права, свободы и т.д, казнен в Испании за участие в восстании и революции на Филиппинах. Красивый, блин ) during their trip оn board the Belgic, an English steamer. Rizal boarded this ship оn the 13th of April, scientist and national hero.
гей-драмаANOTHER PASSENGER WHICH RIZAL BEFRIENDED оn BOARD THE BELGIC WAS TECHO SUEHIRO, A FIGHTING JAPANESE, JOURNALIST, NOVELIST, AND CHAMPION OF HUMAN RIGHTS.
TECHO WAS MISERABLY ALONE. BECAUSE HE оnLY KNEW JAPANESE LANGUAGE SO HE COULDNT COMMUNICATE WITH SHIP OFFICERS AND OTHERS. SINCE RIZAL KNEW FOREIGN LANGUAGES INCLUDING JAPANESE, BEFRIENDED RIZAL.
RIZAL AND TETCHO WERE KINDRED SPIRITS. BOTH WERE VALIANT PATRIOTS, IMPLACABLE FOES OF INJUSTICE AND TYRANNY. BOTH WERE MEN OF PEACE USING THEIR TRENCHANT PENS AS FORMIDABLE WEAPONS TO FIGHT FOR THEIR PEOPLE' WELFARE AND HAPPINESS.
ROZAL TOLD TETCHI THE STORY OF HIS LIFE'S MISSION TO EMMANCIPATE HIS OPPRESSED PEOPLE FROM SPANISH TYRANNY AND OF THE PERSECUTIONS WHICH HE AND H IS FAMILY SUFFERED FROM THE VINDICATIVE SPANISH OFFICIALS AND BAD FRIARS, CAUSING HIM TO FLEE FROM FOREIGN COUNTRIES.
DURING THEIR INTIMATE ACQUAINTANCE OF ALMOST EIGHT MONTHS (APRIL TO DECEMBER 1, 1888) TETCHO CAME TO ADMIRE RIZAL, WHOSE PATRIOATISM AND MAGNIFICENT TALENTS GREATLY FASCINATED HIM AND INFLUENCED HIM.
ON DECEMBER 1, 1888, AFTER A LAST WARM HANDSHAKE AND BIDDING EACH OTHER "GOODBYE", RIZAL AND TECHO PARTED WAYS — NEVER MEET AGAIN.
RIZAL REMAINED IN LONDON
TETCHO IN JAPAN
RIZAL WAS A CITIZEN OF MANILA IN THE PH. AGE ABOUT 27-29. YOUNG AS HE WAS, HE WAS PROFICIENT IN SEVEN LANGUAGES
RIZAL WAS AN OPEN-HEARTED MAN. HE WAS NOT HAIR SPLITING. HE WAS AN ACCOMPLISHED GOOD AT PICTURE, SKILLFUL, AND EXQUISITE WAX WORK ESPECIALLY.
I ARRIVED AT LONDON LATE IN MAY , 1888. I TEMPORARILY STAYED AT "KING'S HENRY ROAD" THEN MOVED TO ROOM 56 AT PARLIAMENT HILL ROAD. I INTENDED TO STAY HERE UNTIL FEBRUARY OR MARCH, BUT UNFORTUNATELY LONDON HAD BEEN SHROUDED BY FOG SINCE EARLY OCTOBER. I HAVE SLIGHT ILLNESS AND IT APPEARED TO BE VERY HARD FOR ME TO SPEND THE COMING WINTER HERE. I DECIDED TO GO HOME, AND SCHEDULED TO LEAVE LONDON оn DECEMBER THE FIRST.
AFTER THE PUBLICATION OF HIS TRAVEL DIARY, TETCHO RESIGNED HIS POSITION AS EDITOR OF TOKYO NEWSPAPER, CHOYA, AND ENTERED POLITICS.
FIRST EMPERAL DIET (JAPANESE PARLIAMENT), WHERE HE CARRIED оn HIS FIGHT FOR HUMAN RIGHTS. THE FOLLOWING YEAR (1891) HE PUBLISHED A POLITICAL NOVEL TITLED NANKAI-NO-DAIHARAN (STORM OVER THE SOUTH SEA)
WHILE STILL A MEMBER OF THE IMPERIAL DIET, TETCHODIED OF HEART ATTACK IN TOKYO IN FEBRUARY, 1896 (10 MONTHS BEFORE RIZAL'S EXECUTION) HE WAS 49 YEARS OLD.
Suehiro has the strongest fighting ability among the group, his ability is “Secchubai - Plum in snow”

Ookura TerukoOokura Teruko (大倉燁子, April 12, 1886 – July 18, 1960) was born in Tokyo, Japan. Her real name was Mozume Yoshiko (物集芳子). Other aliases: Iwata Yoshimi, Iwata Yuriko, and Oka Midori. Her father was Mozume Takami, a scholar of Japanese literature and culture. After resigning from the Tokyo Women’s Higher Normal School (currently Ochanomizu University), she went оn to study under novelist and playwright Nakamura Kichizou. She studied under Futabatei Shimei after Nakamura went to to the USA. After Futabatei’s migration to Russia, she became an apprentice of Natsume Souseki.
In 1909, she published her first story Older Brother (兄 Ani). She presented her literary creations in Seitou and others, but she gave up оn writing after getting married. She divorced in 1924. In 1932, she was introduced to Morishita Uson by Nakamura Kichizou, won his favor, and was encouraged to produce detective stories. In 1934 she carried out her second debut with Bewitching Shadow (妖影 Youei) under the name Ookura Teruko (Source: Kinokuniya).
Ookura is said to have fearsome fighting ability too, her abilty name is “Gasp of soul” (подозреваю, что она же 魂の喘ぎ — Tamashii no aegi — The Wheezing of the Soul)

Что почитать: свежие записи из разных блогов

Записи с тэгом #manga из разных блогов

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SNK 102

BSD 60