Ирландские танцы21 читатель тэги

Сегодня была первая и, к сожалению, последняя для меня часть мастер-класса по ирландским танцам. Завтра, увы, не выходит.

Притащила для себя новое упражнение для закачки стоп.

Суть его в том, чтобы, стоя по первой позиции, перекатить стопу через большой палец и максимально вжать пальцы в пол, а потом, зафиксировав такое положение пальцев, оторвать ногу от пола и максимально выпрямить ее. Во-первых, тянется подъем, во-вторых, мышцы стопы начинают работать. Прочувствовала на себе. Боюсь, что крепатура большого пальца левой ноги мне обесппечена))) Шутка. Все не так страшно.

Еще я поняла, что я скорее закрою хорнайп, чем рил. Размечталась.

Упражненька на равновесие в хардах.

Становимся на полупальцы, так высоко, как получается. И медленно поднимаем заднюю ногу в свиш, дотягиваем носочек и медленно ставим ее назад. Стараемся, когда опускаем, не заваливаться на нее. Хотя очень хочется.

Потом поднимаем переднюю ногу, пальцы натянуты на себя в "утюг"/"кочергу". Все еще стоим на полупальцах.

Для особо продвинутых - меняем положение ноги. Поднимаем сзади, выносим согнутую вперед, опять назад, медленно ставим.

Естественно, повторяем на обе конечности.

Небольшие заметки для себя.

В хорнпайпе в конце первой части пять ударов должны идти равномерно. Общая схема куска: 1-2-3-4-5.....1-2.....1-2.

Ногу до попы на каждом втором движении. То есть практически везде.

Две "тройки" ОЧЕНЬ быстро и равномерно. Четверку начинать с задней ноги с поджатого (!). Мнемоническая штука для запоминания "Крокодил приходил. Пришел. Ушел". =)

Ногу на "тройки" и "семерку" выносить через низ. Если прокачаться, то на "семерку" можно через поджатый.

На ауте ноги не сгибать.

И встать наконец-то с жопы! Вытянуться в самый верх!

Лимерик - это тот танец, который с вертушкой. Наверное, самая популярная "кейля" в наших кругах. Ни одного праздника не проходит без того, чтоб мы не танцевали Лимерик. Самый длинный пока что "коридор" у нас был пар на 12.
Я не знаю, если честно, как мы поместились тогда в нашем-то зале, где двум интермедам тесно.


Схема под катом.
тыкать и узретьThe Walls of Limerick is the simplest of all dances from the point of view of execution. At starting, the dancers line-up in couples, lady оn gemtleman’s right, each set of two couples facing each other. It is danced to reel–time, and consists of four movements, as follows.
1. Advance and Retire
This is and essential feature in the majority of ‘long dances’. Gentleman takes partner’s left hand in his right, both advance to meet the opposite couple (2 bars), retire to the place (2 bars). Repeat the movement.
2. Half Right and Left
Ladies exchange places by side-stepping across the left, passing each other face to face, and finishing with two short threes (4 bars); gentlemen now exchange places, but side-step to the right (4 bars).
3. Dance with Opposite
Each gentleman and opposite lady take right hands, both sidestep to gentleman’s left, finishing with two short threes (4 bars); sidestep back, finishing with two short threes (4 bars).
4. Dance Around
Gentleman takes own partner’s hands, both dance a complete circle around opposite couple (8 bars), finishing up to face in the opposite direction.
Repeat the movements with the next couple and with each succeeding couple until the music ceases. In the manner each couple progresses оn the completion of the set of moments with the result that the couples dancing opposite each other are constantly varying.

Когда-то давно, когда я еще плохо запоминала названия кейли, я давала им "кодовые имена". Стены Лимерика - танец с вертушкой. Осада Энниса - танец с "гребенкой". Бонфайр - "вот тот самый, такой длинный и красивый". Харвесттайм джига - "кейли-лайт". А Фейри рил у меня был "танец с ромбиками")))

Схема под катом. Осторожно, не поверите, инглиш)
THE FAIRY REELA six-hand dance for two gents and four ladies, forming two trios, the gent having a lady
on each side of him. Originally a square dance, it is now done as a progressive long dance.
Formation:
O X O
O X O
(a) Advance and Retire
Gentlemen take partner´s inside hands, and all three advance in line to meet the opposite trio with Promendae Step (2 bars); retire to place (2 bars). Repeat the movement, and оn the last two ‘threes’, all six dancers form into a large ring taking hands (4 bars).
8 bars
(b) Rings
All dance side-step anti-clockwise, finishing with two short ‘threes’ (4 bars), side-step back clockwise, finishing as before (4 bars).
8 bars
(c) Advance and Retire
Repeat A.
8 bars
(d) Rings
Repeat B, but this time dance side-step clockwise first, and оn last two ‘threes’ each gent turns to face lady оn his right, who also turn to face him.
8 bars
(e) Slip Sides
The partners facing each other now take right hands, and dance side-step and ‘threes’ to gents´ left, and side-step back to places. оn the ‘threes’ the gents turn left to face partners оn left, and the ladies face front. In the meantime, the free partners have danced side-step to right and back, and оn last ‘three’ turn to face gents (8 bars) This movement is now repeated with partner оn left, the other lady dancing to left and back to original position.
16 bars
(f) Gents Centre and Link Arms
Gents dance in to centre, with Promenade Step, and linking right arms, continue round to complete four bars. They then turn, link left arms and dance round a further four bars back to places, finishing up facing partners оn the right.
Gent now gives right hand to partner оn right and turns оnce; then he passes оn to partner оn left whom he turns with left arm. He now turns to lady оn right again whom he turns in place with right hand and so back to place.
16 bars
(g) Square
The four ladies dance a square as in the Four-hand Reel, i.e., the partner оn gent´s left side-step to the right to the place of other partner, passing behind; partner оn gent´s right side-step to the left, passing in front. All end with two short ‘threes’ turning to face each other оn the second ‘three’ (4 bars). This movement is repeated in the same direction another three times to complete the four sides of a square.
At the same time the gents do a similar movement but in the shape of a diamond, i.e., each gent sidesteps to right from this position to the centre of the side of the square оn his right, and so оn till returns to his original position.
16 bars
(h) Arches
The gents now take inside hands with partners, raise right hand to form arch and, passing the partner оn left under the arch, he also passes under it (2 bars). He now raises his left hand and passes the right hand partner under the arch, again passing under it himself (2 bars). He repeats the first arch (2 bars) and all fall back into place, but continue to hold hands (2 bars).
8 bars
(i) Advance, Retire and Pass Through
Trios advance and retire, as at commencement of the dance (4 bars). All release hands, advance again, passing through, right arm to right arm, and face a new trio to recommence dance (4 bars).
8 bars

Наверное, мой самый любимый танец. Когда-то на Львовском феше провели мини-МК по нему, это был самый большой Бонфайр, который я вообще видела!
Схема под катом. Осторожно, инглиш!
бонфайрThis is a Round Dance in Reel Time for any number of couples, but preferably not fewer than six. It is supposed, traditionally, to have been danced around the Bonfire оn St. John´s Eve.
Formation: All stand in ring, facing centre, ladies оn right of partners.
(a) Advance and Retire
All join hands and advance gradually towards centre with promenade Step (4 bars). All retire to places (4 bars).
8 bars
(b) Rings
Still holding hands all side-step anticlockwise, finishing with two short ‘threes’ (4 bars). Side-step back to places, finishing as before (4 bars).
8 bars
(c) Advance and Retire
Repeat A.
8 bars
(d) Rings
Repeat B, but this time all side-step clockwise and back to places. оn the last ‘three’ partners turn to face each other.
8 bars
(e) Side-step In and Out
From this new position, all dance side-step to their right – that is, the ladies towards the centre and the gents outwards. Without doing ‘threes’, all side-step back to places.
4 bars
(f) Link Arms
Linking right arms, partners dance two ‘threes’ clockwise, to partner´s place. Release arms. Link left arms and return to face each other as before.
4 bars
(g) Side-step In and Out
Repeat E, except that this time the gents side-step towards centre and ladies outwards. 4 bars
(h) Link Arms
Repeat F, except that left arms are linked first and then right. All finish facing centre of ring.
4 bars
(i) The Rose
The ladies advance slowly towards the centre with Promenade Step for 4 bars, taking hands in a ring оn the fourth ‘three’. They now sidestep anticlockwise, and оn the two ‘threes’ they turn right to face outwards, rejoining hands in ‘back to back’ circle (4 bars).
Side-step clockwise, finishing with two short ‘threes’. During this 12 bars the gents have remained stationary with left hand оn hip and right toe pointed slightly forward. Ladies now advance towards partners, both taking right hands and turn to finish in original positions (4 bars).
16 bars
While ladies remain stationary, with left hands оn hips and right toes forward, the gents perform the Rose, but in the ring they side-step clockwise first.
16 bars
(j) Swing and Exchange Partners
Partners now take crossed hands and swing slowly for 4 bars to exchange places. (Lady is now left of partner in ring.) Partners bow to each other (1 bar); turn to face new partner (1 bar); bow to new partner (1 bar); face in and all take hands, ready to recommence dance.
8 bars
The dance may be repeated as often as desired, each lady passing оn оne place further to the left, while each gent passes to the right.